Endemic Misogyny Persists In Music’s ‘Boys’ Club’ Culture, This Committee Wants ‘Transformative Change’


The music industry has long been criticized for its lack of diversity and equal opportunities for women. A recent parliamentary report in the U.K. has shed light on the prevalent discrimination and sexual harassment that female artists face in this male-dominated industry.

According to an investigation led by the cross-party Women and Equalities Committee, chaired by MP Caroline Nokes, gender disparities and challenges persist for women in the music industry. The report highlights particularly male-dominated sectors such as A&R (artists and repertoire), sound engineering, and production.

Nokes emphasized that women’s creative and career potential should not be limited by the “endemic” misogyny that has persisted for far too long in the music industry. The report focuses on improving protections, reporting mechanisms, and necessary structural and legislative reforms.

The investigation also addressed the issue of racism in the industry and underscored the vulnerabilities faced by freelancers. The committee is calling for legislative actions, proposing amendments to the Equality Act to ensure protection against discrimination for freelance workers, especially those experiencing intersectional inequality.

One of the key recommendations of the report is to make employers accountable for safeguarding workers from sexual harassment by third parties. It also suggests prohibiting the use of non-disclosure agreements (NDAs) in cases involving sexual abuse, harassment, misconduct, bullying, or discrimination. Furthermore, the suggested legislation should include a moratorium on previously signed NDAs in such circumstances.

The report highlights the potential impact of the Creative Industries Independent Standards Authority (CIISA) in addressing unacceptable behavior and reducing harm in the music industry. CIISA, set to launch later this year, aims to serve as a confidential reporting platform for those in the creative industries. It will publish industry-wide standards promoting inclusivity and addressing negative behaviors.

Nokes stressed the need for transformative change in the behavior of men within the music industry. She asserts that ending the endemic misogyny is crucial for empowering talented women and ensuring they are recognized and rewarded on equal terms.

Support for the report comes from various industry bodies, including Black Lives in Music and U.K. Music. Charisse Beaumont of Black Lives in Music validated the report’s findings and emphasized the challenges faced by Black women in the industry.

A spokesperson for CIISA mentioned that the organization will be a “single front door” for those working in the music industry, providing a confidential platform to report unacceptable behavior and address concerns directly.

The findings of this parliamentary report shed light on the urgent need for change within the music industry. It is essential for the industry to take concrete steps to address gender disparities, discrimination, and sexual harassment. Only through transformative change and inclusive practices can the music industry truly provide equal opportunities for all artists, regardless of their gender or background.

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